The Good Life review self-sufficiency sitcom loses the plot on stage Theatre
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These are mashed together with sci-fi elements, fourth wall jokes, and plain bonkers moments. In other words, don't take the mysteries seriously. You play as an American photojournalist named Naomi Hayward, who has come to town to work off an eye-watering £30,000,000 debt. Naomi is selfish, rude, and frequently the butt of the game's many jokes. She'd make a great sitcom character, as her dignity is eroded at every available opportunity. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you.
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In one episode, Margo told him of her awful experiences at a pottery class, and he had to stuff a hankie in his mouth to stop himself laughing. In 'The Thing In The Cellar', his jealousy at Tom's never needing to pay another electricity bill was unmistakable . Felicity Kendal became an unlikely sex symbol because of this show; it must have been those dungarees! Reginald Marsh was also good as Tom's old boss 'Sir'. The reason in the show the Goods could afford to live in their house is that they owned it and didn't have to pay rent.
The basic set-up concerns Tom and Barbara Good who decide to opt-out of the rat race and try self-sufficiency in Surbiton. On this slender premise hung all kinds of imaginative plots farmyard animals , generators, rotary cultivators as well as political machinations in the local music society headed up by the formidable Miss Mountshaft .
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My favorite American TV sitcom is "The Bob Newhart Show". These two shows have nothing in common except that they make you laugh. I remember watching this show on PBS in the early 80's and loving it. However, I hadn't seen it in nearly 20 years, and wasn't sure how much of my "wonderful" memory was simply nostalgia.
Tom and Barbara's relationship was very much equal, with Barbara getting just as much say in what the couple did as Tom. So I was thrilled to discover that my local library has a few episodes on VHS, but it was with a bit of trepidation that I checked them out. Would the show be as good as I remembered?
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I remember how great I thought The Good Life was when it came out in the mid 1970s but that was 30 years ago and I was 11. All those enormous shirt collars, kipper ties, platform shoes and ghastly flaired "Rupert Bear" check trousers, plus the horrible garish 1970s furniture. The Goods seem to be constantly on the verge of starvation and yet their house remains brightly lit & warmly heated and they seem to find enough to pay the mortgage & rates . As an adult I also find it really irritating the way Tom & Barbara seem to be constantly scrounging and sponging off their neighbours.
But one does not, let’s face it, emerge from Jeremy Sams’s adaptation electrified by its urgency – or anything else about it. It is as plain an instance of the cash-in as you’ll see, a show that would never be staged were there not deep wells of affection for the original on which to draw for an audience. It's a surprisingly small part of the story, but essential for exploration, the mystical power allowing Naomi to leap over walls and onto rooftops as a cat, or to follow scents and, er, piss on stuff in her canine form. The main way The Good Life does this is with its smorgasbord of side quests, which have Naomi fetching stuff, photographing things, and generally hoofing it around the Lake District as the world's most overworked courier.
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Written by Bob Larbey and John Esmonde, The Good Life follows Tom and Barbara Good , a suburban upper-middle class couple, when on Tom's 40th birthday he decides to quit his job, leave society behind, and live "the good life" of self-sufficiency. The show follows the trials and mistakes of the two as they start a farm in their backyard, acquire animals, and of course deal with their good friends but always pesky neighbors Margo and Jerry Leadbetter. Continuously lighthearted and cheery, the show is quite the pleasure to watch, never really taking itself too seriously, and while having a good time making some commentary on modern living and societal expectations. Only 4 short seasons the series gets a bit dull towards the middle / end with episodes become a sort of rinse-and-repeat dilemma of the week style sitcom and unfortunately never really builds on or grows either of the characters.
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Paul and Penelope's Margot play their neighbors who prefer offices and modern technology to Tom and Barbara's new lifestyle of pigs and crops. You wouldn't know it if you knew that Penelope actually is an avid gardener herself and lives in Surrey from her performance as the socialite, Margot Ledbetter. Good Neighbours actually had a command performance for the Royal Family who were big fans of the show.
It also contains the first scene I ever saw a in a comedy series used to make a serious point, when the 4 come in to witness the mayhem caused by vandals to the Good's home. In the couple of seconds after Margo's line "And the people who do this call the police pigs", you could have heard a pin drop; and that was 10 years before the last episode of Blackadder. "Congratulations 🎉🎊 Bryce I knew you were going to be a 🌟 the first time I heard you sing! I’ve had you as a finalist on my team since the beginning of this season! I can’t wait to hear you on country radio!" one person wrote. "Bryce deserved to win! Best singer! Always on point! Congrats and best wishes!!” another added." YESSSSS BRYCE WON!
Perhaps television simply cannot produce comedy for the ages - even Monty Python seems more odd than funny now. This new way of living gets right up the noses of their upwardly mobile neighbours Jerry and Margo Leadbetter, the latter who makes Hyacinth Bucket from 'Keeping Up Appearances' look like Florence Nightingale. Despite their obvious displeasure for the Goods' way of living, the Leadbetters are there for the Goods when it is needed. This was most apparent in the episode in which Tom and Barbara's pig went into labour. Tom and Barbara are irritating but likable, with their stove, tractor, and wellingtons. Margo is an absolute hoot, a sexy woman who doesn't like to admit it and a dreadful nosey neighbour, while Jerry is the typical executive doormat.
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